- Blake’s Synthpop Page – Contaings alphabetical listings of over 3,200 CDs. Includes FAQ, CD trade list, featured artists, new CDs and Kon Kan discography.
- Control-Alt-Delete – Fan club containing links, news and compilation CD information. synthpop
- A Different Drum – The Source for Synthpop – Record label based in Utah, containing online ordering and news. Some of their artists include B!Machine, Cosmicity, Echoing Green, Faith Assembly, Iris and The Nine.
- DJ Virto’s Synthpop of the Week – Contains links and information regarding sites and resources.
- Electric Dreams – A London nightclub for eighties new wave and synthpop.
- Energy Rekords/October – Swedish record label. Some artists include Das Ich, Front 242, Front Line Assembly and Iris.
- Eternity Records – Record label containing artist information, online ordering and free items. Some artists include Sissy Prozac, Marcel, Float and Saft.
- Hand Held Halo Records – Record label based in England. Contains news, free MP3 files and online store. Artists include Gebrauche-Musik, Intervox, Seven Words and Phear. synthpop
- The History Of Synthpop – Complete with artist information and synthesizer model information.
- Intelligent Communications – Record label containing news and online ordering. Some artists include All for One and Distant Dark Spaces.
- Jive 55 – Contains detailed information on 55 of the most important new wave, new romantic and synthpop artists of the late 70s to late 80s.
- Kinetic Response Records – A synthpop and electronic on-line music store, resource and independent record label. Some of their artists include Loveless and Attic Base.
- Synthphony Records – Record label based in New York, containing online store, news and artist profiles. Some artists include Intact and Shades of Grey.
- Synthpop For The Masses – Includes reviews, artist links and discoveries. Located in Austria. synthpop
- Synthpop Now – Contains history, MOD files, links and events.
- Synthpop Showcase Events – Event producers/promoters. Some artists include Beborn Beton, Secret Secret and Count 2 Infinity. synthpop
- SynthpopNet – Includes reviews, chat room, links and news.
Synthpop is a style of popular music in which the synthesizer is the dominant musical instrument. It is most closely associated with an era between the end of the 1970s and early-to-mid 1980s when the synthesizer first became a practical and affordable instrument. The style developed as musicians such as Gary Numan, Ultravox, and Devo embraced the synthesizer as a lead instrument, taking advantage of its unique sound and capabilities.
Characteristics
While it might be argued that most current popular and commercial music in the industrialized world is realized via electronic instruments, synthpop has its own stylistic tendencies which differentiate it from other music produced by the same means. These include the exploitation of artificiality (the synthesizers are not used to imitate acoustic instruments), the use of mechanical rhythms and «feel», the use of vocal arrangements as a counterpoint to the artificiality of the instruments, and the use of ostinato patterns as an effect. Synthpop song structures are generally the same as in «regular» pop music.
History
Influences
Although synthesizers had been used in rock music in the 1960s, notably by The Beatles, the instruments were highly complex, temperamental, and expensive. Synthesizers became more widely used by progressive rock groups such as Yes, Emerson, Lake & Palmer (driven by Moog master Keith Emerson), by the mid-1970s, electronic art music musicians such as Wendy Carlos, Jean-Michel Jarre and Vangelis, and the Krautrock influenced German band Kraftwerk were among the artists who experimented with them. But hugely popular Scandinavian supergroup ABBA embraced them, and producer Giorgio Moroder used them heavily on records by disco artists, notably Donna Summer, giving rise to the subgenre terms «Eurodisco» and «Hi-NRG,» further popularised in the by Moroder and fellow German producers Jack White and Harold Faltermeyer, working with predominantly female artists like Irene Cara, Laura Branigan, and Berlin in the early 1980s.
1979 and early-to-mid 1980s
Replicas by Gary Numan and Tubeway ArmyThe synthpop genre began to surface in 1979 and continued to evolve and expand in the early 1980s. Albums like Replicas by Gary Numan and Tubeway Army, Numan’s solo LP The Pleasure Principle, Dare by the Human League and Metamatic by John Foxx typified the early synthpop sound.
Late 1980s, onward
In the United States, a backlash against the predominant styles of commercial pop in general and synthesized music specifically drove the synthpop genre largely underground there. Few of the genre’s 1980s acts and almost none which happened upon a modicum of novelty success there in the 1990s were able to thrive commercially during this period, many dropped from their record contracts as «alternative» music rose to the forefront. A new generation of radio DJs, video jockeys and label reps dismissed synth-driven music as somehow less visceral or artistic than the emerging styles of grunge, hip-hop, and rap. However, in Europe (where the new wave movement began), as well as South America, Australia, and Asia the synthpop genre remained more widely accepted, and artists from these regions (as well as American artists temporarily expatriated there) performing music with 1980s synthpop roots have spurred minor resurgences of the genre in the U.S. (Ace Of Base, Savage Garden, and the Scandinavian-born teen pop phenomenon to name a few.)
Usage
Synthpop is sometimes confused with electropop, which is generally regarded to be a particular style of synthpop that incorporates the more robotic elements and feel of electro music. The term «synthpop» has also become increasingly used in goth and industrial circles to describe various alternative electronic artists who have used influences from synthpop, particularly those in the electronic body music and futurepop genres such as Mesh, And One, Melotron, S.P.O.C.K, Beborn Beton and Wolfsheim. It is otherwise generally used in its more classic sense, referring to early/mid 1980s synthesizer driven pop acts (e.g., Depeche Mode, Erasure) as well as a variety of New Romantic pop acts from the same era (e.g., Duran Duran, Japan, and Spandau Ballet).
